G uitar
E xercises
M elodies
S cales

Pearl Level


This level will introduce the guitar student to the following:


  1. Exercise 1

    An introduction to the top three open strings. The student should focus upon right hand technique.

                          V      VII                 XII
    eโ€ฒโ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
    b โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    g โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  2. Blues Progression: Very Basic 12-bar

    An introduction to the bottom three open strings. The student should focus upon right hand technique.

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    d โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    A โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    E โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  3. Simple Chords with Complicated Names

    An introduction to open string, unfretted, chords. The student should focus upon right hand technique.

                          V      VII                 XII
    eโ€ฒโ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  4. So What Chord

    An introduction to a particular five note chord voicing used in jazz harmony. The student should focus upon right hand technique.

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด



  5. Doo-Wop Progression: Very Basic 8-bar

    An introduction to the fretted note a. The student should focus upon left finger technique.

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€aโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  6. Front Door Progression: Very Basic

  7. Backdoor Progression: Very Basic
  8. Pentatonic Scale 1ร—8va in G major.Played with quarter notes in 4/4 meter at MM=80.
  9. Ah! vous dirai-je, maman (Twinkle, Twinkle, Little Star)

                          V      VII                 XII
    eโ€ฒโ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
    โ•Ÿโ”€cโ€ฒโ”ผโ”€โ”€โ”€โ”ผโ”€dโ€ฒโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€aโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  10. Diatonic Scale 1ร—8va in G major.Played with quarter notes in 4/4 meter at MM=80.

  11. Royal Road Progression: Very Basic

  12. Jingle Bells Chorus

  13. Good Morning to All (Happy Birthday to You)
  14. Bye, baby Bunting

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€eโ”ผโ”€โ”€fโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€cโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  15. Hopscotch Progression: Very Basic  8-bar

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
      โ•Ÿโ”€cโ€ฒโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€aโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€fโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€cโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด


  16. Diatonic Scale 1ร—8va in C major.Played with quarter notes in 4/4 meter at MM=80.
  17. C Major/G Triad Chord

  18. Pentatonic Scale 1ร—8va in D major
  19. Pachelbel Progression

  20. Blues Progression: 12-bar in fifths

                          V      VII                 XII
      โ•“โ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌโ”€โ”€โ”€โ”ฌ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
      โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€aโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€eโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•Ÿโ”€โ”€โ”€โ”ผโ”€โ”€Bโ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผโ”€โ”€โ”€โ”ผ
    โ•™โ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ดโ”€โ”€โ”€โ”ด



  21. G Major over B Chord
  22. Em7 Chord

  23. South Detroit Progression: Very Basic

  24. Amazing Grace

  25. ยฟ Deriving the Dameron Turnaround

  26. ยฟ Diatonic scale 1ร—8va in A minor harmonic
  27. ยฟ Diatonic scale 1ร—8va in A minor melodic

  28. ยฟ Diatonic scale 1ร—8va in E minor harmonic
  29. ยฟ Diatonic scale 1ร—8va in E minor melodic

  30. ยฟ Dorian mode 1ร—8va in D
  31. ยฟ Melody of Drunken Sailor

  32. ยฟ Excerpt from a Little Night Music by Wolfgang Amadeus Mozart
  33. ยฟ Dance by Hans Neusidler
  34. ยฟ Yankee Doodle
  35. ยฟ Melodic Interval Exercise
  36. ยฟ Aura Lee
  37. ยฟ Down in the Valley
  38. ยฟ On Top of Old Smokey
  39. ยฟ We Three Kings of Orient Are
  40. ยฟ Plaisir D'Amour
  41. ยฟ When the Saints Go Marching In
  42. ยฟ Au Clair de la Lune
  43. ยฟ Frere Jacques
  44. ยฟ Cotton Mill Girls
  45. ยฟ Shalom, Chaverim
  46. ยฟ Delia
  47. ยฟ Red River Valley
  48. ยฟ Ode to Joy
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